yves saint laurent beat collection 1960

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yves saint laurent beat collection 1960*******In 1960, Yves Saint Laurent unveiled his “Beat” collection for Christian Dior, inspired by the existentialists of Paris’s bohemian Left . Saint Laurent’s Spring 1960 collection for Dior was characterized by rounded silhouettes and vibrant colour. L’Officiel noted its straight suits with jackets cut .Yves Saint Laurent’s final collection for Dior in 1960 drew upon beatnik and other nonconformist styles, reinterpreting them with couture materials and techniques. His iconic “Chicago” jacket, for example, which clearly .

In July 1960 the young Yves Saint Laurent, who had been the Creative Director for the House since 1957, presented the Fall-Winter Souplesse, légèreté, vie collection in .In his view, style had to continue from collection to collection. Saint Laurent also sought inspiration in the clothing people were wearing in the street, which would also bring him his first setback. His 1960 collection was .Between 1958 and 1960, Yves Saint Laurent designed six collections for Dior. According to the press release for his third collection, under his direction, “the figure was lost in favor of style.” The couturier dreamed up .

The final Yves Saint Laurent show for Dior (Fall 1960), the shocking “Beat” collection, is actually shown via static shots in the Dior salon; the prior show is illustrated from stills from. Yves Saint Laurent and his models at the presentation of Saint Laurent’s autumn-winter 1960 collection at the House of Dior. Photograph: TopFoto . The connection between fashion and art has only .yves saint laurent tops In 1960, Yves Saint Laurent unveiled his “Beat” collection for Christian Dior, inspired by the existentialists of Paris’s bohemian Left Bank. The collection was largely black, and featured.

Saint Laurent’s Spring 1960 collection for Dior was characterized by rounded silhouettes and vibrant colour. L’Officiel noted its straight suits with jackets cut on the bias to achieve the suppleness of a knitted cardigan.Yves Saint Laurent’s final collection for Dior in 1960 drew upon beatnik and other nonconformist styles, reinterpreting them with couture materials and techniques. His iconic “Chicago” jacket, for example, which clearly references motorcycle jackets, uses black crocodile trimmed with mink.yves saint laurent beat collection 1960In July 1960 the young Yves Saint Laurent, who had been the Creative Director for the House since 1957, presented the Fall-Winter Souplesse, légèreté, vie collection in which black – one of Christian Dior’s favorite colors – was dominant.yves saint laurent beat collection 1960 yves saint laurent topsIn July 1960 the young Yves Saint Laurent, who had been the Creative Director for the House since 1957, presented the Fall-Winter Souplesse, légèreté, vie collection in which black – one of Christian Dior’s favorite colors – was dominant. His last collection for Dior, ‘Beat’ A/W 1960, featured knit turtlenecks and leather jackets embossed with a crocodile pattern. The house was not ready for Saint Laurent’s interest in a younger clientele and the adoption of street style, and subsequently replaced him with Marc Bohan.In his view, style had to continue from collection to collection. Saint Laurent also sought inspiration in the clothing people were wearing in the street, which would also bring him his first setback. His 1960 collection was influenced by the beatnik movement and made use of leather and dark colors.Between 1958 and 1960, Yves Saint Laurent designed six collections for Dior. According to the press release for his third collection, under his direction, “the figure was lost in favor of style.” The couturier dreamed up clothing for the women of his generation and distanced himself from the dictates of 1950s bourgeois elegance. The final Yves Saint Laurent show for Dior (Fall 1960), the shocking “Beat” collection, is actually shown via static shots in the Dior salon; the prior show is illustrated from stills from. Yves Saint Laurent and his models at the presentation of Saint Laurent’s autumn-winter 1960 collection at the House of Dior. Photograph: TopFoto . The connection between fashion and art has only strengthened over time as more museums around the world curate and present costume exhibitions.

With the aid of photographs by Laziz Hamani, this volume revisits the quintessential Yves Saint Laurent creations made for Dior, from the Trapèze silhouette of his first collection, for Spring-Summer 1958, to the Beat Look of Autumn-Winter 1960.

In 1960, Yves Saint Laurent unveiled his “Beat” collection for Christian Dior, inspired by the existentialists of Paris’s bohemian Left Bank. The collection was largely black, and featured. Saint Laurent’s Spring 1960 collection for Dior was characterized by rounded silhouettes and vibrant colour. L’Officiel noted its straight suits with jackets cut on the bias to achieve the suppleness of a knitted cardigan.

Yves Saint Laurent’s final collection for Dior in 1960 drew upon beatnik and other nonconformist styles, reinterpreting them with couture materials and techniques. His iconic “Chicago” jacket, for example, which clearly references motorcycle jackets, uses black crocodile trimmed with mink.In July 1960 the young Yves Saint Laurent, who had been the Creative Director for the House since 1957, presented the Fall-Winter Souplesse, légèreté, vie collection in which black – one of Christian Dior’s favorite colors – was dominant. His last collection for Dior, ‘Beat’ A/W 1960, featured knit turtlenecks and leather jackets embossed with a crocodile pattern. The house was not ready for Saint Laurent’s interest in a younger clientele and the adoption of street style, and subsequently replaced him with Marc Bohan.

In his view, style had to continue from collection to collection. Saint Laurent also sought inspiration in the clothing people were wearing in the street, which would also bring him his first setback. His 1960 collection was influenced by the beatnik movement and made use of leather and dark colors.Between 1958 and 1960, Yves Saint Laurent designed six collections for Dior. According to the press release for his third collection, under his direction, “the figure was lost in favor of style.” The couturier dreamed up clothing for the women of his generation and distanced himself from the dictates of 1950s bourgeois elegance.

The final Yves Saint Laurent show for Dior (Fall 1960), the shocking “Beat” collection, is actually shown via static shots in the Dior salon; the prior show is illustrated from stills from.

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